AGALMATA
  • AGALMATA
    • ABOUT US
    • Laure Chevalier, PhD (director)
    • Pauline Deschamps-Kahn (scientific researcher)
    • Aura Fossati (Provenance researcher)
    • Christopher Bakke (scientific photographer)
  • Lab_Agalmata
  • MADONNA DEI GAROFANI (CHATRON) - RAPHAEL 1508-1520
    • Raphael Sanzio, Florence 1515
    • Restoration of the Madonna
    • Chemical Investigation of the Madonna
    • MADONNA dei garofani (CHATRON) FR >
      • Analyses physico-chimiques de la Madone
      • Le motif final
    • MADONNA dei garofani (CHATRON) - EN >
      • FINAL MOTIF
    • MADONNA dei garofani (CHATRON) - ES >
      • MOTIVO FINAL
    • MADONNA dei garofani (CHATRON) IT >
      • IL MOTIVO FINALE
    • MADONNA dei garofani (CHATRON) - CN
  • EXPERTISES
    • ART ADVISORY >
      • MASTERPIECES & COLLECTIONS
      • PROVENANCE
    • References
    • Masterpieces (cold cases) >
      • Art fund Lethière / d'Hervilly (2023-2025)
      • Buste de Satyre (2016)
      • Sainte Anne Trinitaire (2015)
      • Charles Dufresne, ancienne succession (2011-2012)
      • Nymphe grecque (2011)
      • Coupe au dragon ourovore (2008-2015)
      • Fonds photographique (2010)
      • Vibia Sabina (2008-2010)
  • Contact
FR







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Christopher BAKKE
scientific photographer (independent)

Christopher Bakke was born in the Pacific Northwest of the United States and studied art history in Paris at the Sorbonne and the École Pratique des Hautes Études. He worked in the curatorial department of the Museo di Capodimonte in Naples. He specializes in the history and technique of early seventeeth-century Italian painting.With Pauline Deschamps-Kahn, he has also lectured extensively on the birth of the interdisciplinary and scientific study of art in France during the nineteeth century. Bakke is also a photographer of art, as well as a technical art historian specializing in macro and infrared imagery. Moreover, as a photographer he emphasizes th importance of producing environmental portraits that capture the artist, the scholar, and the spectator in the presence of the art object.
Photo
www.agalmata.fr / agalmata.com
​Crédits © Agalmata 2025 - Mentions légales
  • AGALMATA
    • ABOUT US
    • Laure Chevalier, PhD (director)
    • Pauline Deschamps-Kahn (scientific researcher)
    • Aura Fossati (Provenance researcher)
    • Christopher Bakke (scientific photographer)
  • Lab_Agalmata
  • MADONNA DEI GAROFANI (CHATRON) - RAPHAEL 1508-1520
    • Raphael Sanzio, Florence 1515
    • Restoration of the Madonna
    • Chemical Investigation of the Madonna
    • MADONNA dei garofani (CHATRON) FR >
      • Analyses physico-chimiques de la Madone
      • Le motif final
    • MADONNA dei garofani (CHATRON) - EN >
      • FINAL MOTIF
    • MADONNA dei garofani (CHATRON) - ES >
      • MOTIVO FINAL
    • MADONNA dei garofani (CHATRON) IT >
      • IL MOTIVO FINALE
    • MADONNA dei garofani (CHATRON) - CN
  • EXPERTISES
    • ART ADVISORY >
      • MASTERPIECES & COLLECTIONS
      • PROVENANCE
    • References
    • Masterpieces (cold cases) >
      • Art fund Lethière / d'Hervilly (2023-2025)
      • Buste de Satyre (2016)
      • Sainte Anne Trinitaire (2015)
      • Charles Dufresne, ancienne succession (2011-2012)
      • Nymphe grecque (2011)
      • Coupe au dragon ourovore (2008-2015)
      • Fonds photographique (2010)
      • Vibia Sabina (2008-2010)
  • Contact