AGALMATA
  • AGALMATA
    • ABOUT US
    • Laure Chevalier, PhD (director)
    • Pauline Deschamps-Kahn (scientific researcher)
    • Aura Fossati (Provenance researcher)
    • Christopher Bakke (scientific photographer)
  • Lab_Agalmata
  • MADONNA DEI GAROFANI (CHATRON) - RAPHAEL 1508-1520
    • Raphael Sanzio, Florence 1515
    • Restoration of the Madonna
    • Chemical Investigation of the Madonna
    • MADONNA dei garofani (CHATRON) FR >
      • Analyses physico-chimiques de la Madone
      • Le motif final
    • MADONNA dei garofani (CHATRON) - EN >
      • FINAL MOTIF
    • MADONNA dei garofani (CHATRON) - ES >
      • MOTIVO FINAL
    • MADONNA dei garofani (CHATRON) IT >
      • IL MOTIVO FINALE
    • MADONNA dei garofani (CHATRON) - CN
  • EXPERTISES
    • ART ADVISORY >
      • MASTERPIECES & COLLECTIONS
      • PROVENANCE
    • References
    • Masterpieces (cold cases) >
      • Art fund Lethière / d'Hervilly (2023-2025)
      • Buste de Satyre (2016)
      • Sainte Anne Trinitaire (2015)
      • Charles Dufresne, ancienne succession (2011-2012)
      • Nymphe grecque (2011)
      • Coupe au dragon ourovore (2008-2015)
      • Fonds photographique (2010)
      • Vibia Sabina (2008-2010)
  • Contact




CHEMICAL AND SPECTROSCOPIC INVESTIGATION OF THE RAPHAEL'S MADONNA  (2014 - 2021)
FR
Photo
Raphael Sanzio, La Madonna dei garofani (The Madonna of the Carnations - Pinks - Chatron) analyzed under X-ray fluorescence spectrometer (2021).
In order to characterize pigments and materials, several scientific analyses have been performed before the restoration of the Raphael's Madonna Chatron (Madonna dei garofani).
We report the results obtained by chemical and spectroscopic investigation (X-ray fluorescence and X-ray diffraction) performed by Philippe Walter (CNRS / Sorbonne University) assisted by
Pauline Deschamps-Kahn (EPHE / C2RMF)
[4 campaigns between 2014 and 2021]
.

The commented study of the pigments is based 1/ on the mapping of chemical elements produced by XRF, 2/ on the discussions we have had with Pauline Deschamps-Kahn and Philippe Walter, 3/ on scientific literature, 4/ and on the stratigraphy observed in the paint degradations under the microscope.
The original colors revealed by the restoration (varnish thinning) verified our research.


Thanks to the large number of analysis spots (more than 70 spots in 2014, supplemented in 2020 and 2021 by complete captures of several areas of the painting), the investigation's results made it possible to identify most of the chemical components of the paint layer.

Dr Laure Chevalier, PhD

Photo
Photo
restoration of the Madonna
Photo
www.agalmata.fr / agalmata.com
​Crédits © Agalmata 2025 - Mentions légales
  • AGALMATA
    • ABOUT US
    • Laure Chevalier, PhD (director)
    • Pauline Deschamps-Kahn (scientific researcher)
    • Aura Fossati (Provenance researcher)
    • Christopher Bakke (scientific photographer)
  • Lab_Agalmata
  • MADONNA DEI GAROFANI (CHATRON) - RAPHAEL 1508-1520
    • Raphael Sanzio, Florence 1515
    • Restoration of the Madonna
    • Chemical Investigation of the Madonna
    • MADONNA dei garofani (CHATRON) FR >
      • Analyses physico-chimiques de la Madone
      • Le motif final
    • MADONNA dei garofani (CHATRON) - EN >
      • FINAL MOTIF
    • MADONNA dei garofani (CHATRON) - ES >
      • MOTIVO FINAL
    • MADONNA dei garofani (CHATRON) IT >
      • IL MOTIVO FINALE
    • MADONNA dei garofani (CHATRON) - CN
  • EXPERTISES
    • ART ADVISORY >
      • MASTERPIECES & COLLECTIONS
      • PROVENANCE
    • References
    • Masterpieces (cold cases) >
      • Art fund Lethière / d'Hervilly (2023-2025)
      • Buste de Satyre (2016)
      • Sainte Anne Trinitaire (2015)
      • Charles Dufresne, ancienne succession (2011-2012)
      • Nymphe grecque (2011)
      • Coupe au dragon ourovore (2008-2015)
      • Fonds photographique (2010)
      • Vibia Sabina (2008-2010)
  • Contact