RESTAURATION / RESTORATION -
LA MADONE AUX ŒILLETS CHATRON (1507-1520) / RAPHAEL SANZIO,
THE MADONNA OF THE CARNATIONS (LA MADONNA DEI GAROFANI - MATRIX)
"Rien ne vient à nous que falsifié et altéré par nos sens"
["Nothing reaches us that is not falsified and altered by our senses"]
Michel de Montaigne
Raphael Sanzio, The Madonna of the Carnations (Pinks) - CHATRON (La Madonna dei garofani) under restoration (2024) - by Milena Ciociola (Atelier Jaune de Naples)
La restauration raisonnée vise à restituer l’harmonie primitive de la Madone aux œillets et, ce faisant, ressusciter pleinement l’émotion ; engagée sous ma direction entre 2022 et 2026, cette mission délicate a été confiée à l'un des meilleurs restaurateurs habilités musées, Milena Ciociola, en raison de sa connaissance de l’intime organique des œuvres peintes, des matériaux de la renaissance italienne et des techniques de restauration anciennes, en raison aussi de son geste précis infiniment respectueux de l'écriture des Anciens.
(Dr Laure Chevalier)
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The reasoned intervention aims to restore the primitive harmony of the Madonna of the Carnations / Pinks (La Madonna dei Garofani) and fully revive the emotion. Made under my direction between 2022 and 2026, this delicate mission has been entrusted to one of the best restorers qualified to work in museums, Milena Ciociola, because of her knowledge of the intimate organic nature of painted works, of Italian Renaissance materials and ancient restoration techniques, and also because of her precise gesture, infinitely respectful of the handwriting of the Ancients.
(Dr Laure Chevalier)
(Dr Laure Chevalier)
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The reasoned intervention aims to restore the primitive harmony of the Madonna of the Carnations / Pinks (La Madonna dei Garofani) and fully revive the emotion. Made under my direction between 2022 and 2026, this delicate mission has been entrusted to one of the best restorers qualified to work in museums, Milena Ciociola, because of her knowledge of the intimate organic nature of painted works, of Italian Renaissance materials and ancient restoration techniques, and also because of her precise gesture, infinitely respectful of the handwriting of the Ancients.
(Dr Laure Chevalier)
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©AGALMATA 2024
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